From that gay kiss to dragon slaying, festive TV adverts speak volumes about the broadcasters.
- Senior Lecturer, Head of Department Design Innovation, Maynooth University
Welcome to Disney’s latest adaptation, where the only thing that’s real is Mowgli.
It was by no means a sure thing that Star Wars’ innovative beginning endured until the modern day. Here’s the story of its various scrapes with the wrecking ball.
When it comes to branding, the UK broadcaster has always left the rest behind. But by ditching the “4” from its screen idents, it has stepped into another space entirely.
Big heritage shows facing the tyranny of diehard fans can end up taking no risks. The story of how the 12th Doctor’s screen credits came about is an object lesson in how to turn this around.
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