In the exhibition, wood carving, metal casting, weaving and knotting are reimagined as tools for experimentation and personal expression.
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Frida: The Making of an Icon is not really an exhibition of Kahlo’s work. It is a cataloguing of her legacy.
This exhibition is not about British, or even English landscapes, but about how a broad range of British artists responded to the landscapes they chose to depict.
Showing now at Sydney’s Museum of Contemporary Art, Not a Souvenir forces us to confront Australia’s colonial kitsch culture.
Saint Benedict imagined a life of stability, community and measure; one devoted to the care for souls and, ultimately, to spiritual salvation.
The curators of this new exhibition at Kettle’s Yard in Cambridge have achieved a complex yet complementary arrangement.
The controversy reveals a form of externalised censorship.
Rather than fighting over this or that patch of art history, surely London’s museums can agree that all art is a ‘continuum’?
Thirteen artists with ancestral lands in south Asia, Africa and the Caribbean are subverting the role drawing has played in conquest and colonialism.
Much of the immediate reaction to the audacious theft has concentrated on the Louvre’s security problems, rather than on the jewels themselves.
The exhibition was shaped by deep collaboration with scientists, artists, ecologists, activists and coastal communities.
The artworks in Sea Inside offer ways of engaging with the existential threats facing our oceans that are emotive, imaginative and often very funny.
Together, the works on display form an evolving self-portrait of the artist.
Each of the over 100 objects displayed in this exhibition merits a long look.
The world depicted through Oxenbury’s illustrations is one of family gatherings, mealtimes and activities, but also of oceans, forests, night skies and caves.
Entering Flowers, you might think that you have just walked into a supersized florist’s shop.
Come too close to Bacon’s portraits and everything dissolves into a powdery splat.
Surrealists artists serve as a reminder that us humans are – and always have been – complex creatures.
The exhibition gives an insight into the complex interactions of humans and machines through history.
All the artists displayed in the exhibition use choreography in their work.
Top contributors
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Visiting Lecturer, BA Fine Art Mixed Media, University of Westminster
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Professor in Translation Studies, SOAS, University of London
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Reader in Fine Art, Loughborough University
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Associate Professor in Fashion and Material Culture, Nottingham Trent University
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Senior Lecturer in Visual Culture, Sheffield Hallam University
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Professor of Social and Architectural History, University of Oxford
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Professor of Social Anthropology, University of Oxford
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Senior Lecturer in Museum Studies, Nottingham Trent University
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Alumna, Kingston University
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Research Associate, University of Johannesburg
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Senior Lecturer, Art and Public Engagement, King's College London
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PhD Researcher, Art Market, Nottingham Trent University
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Professor in Art, Curtin University
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Professor of Visual Cultures, Royal Holloway, University of London
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Adjunct Professor of Art History, Australian National University